
Welcome to our informational blog.
Topics covered include literary theory and practice, academic writing techniques, philosophy of education, and explanations of our methods for enhancing creative intelligence.
Bork's Elements of a Successful Story
A writing coach can talk with you about tools like Bork’s PROBLEM acronym, and how you can use them in your own work. Never hesitate to ask your writing coach about advice you hear in podcasts or find in online articles so they can help you figure out what’s most relevant to your projects.
Online Writing Resources
A writing coach is someone who has likely encountered many of the issues you might be currently facing with your own writing practice, and has figured out ways to overcome them. This means writing coaches are often incredibly resourceful people, who at the same time that they guide you through your process can help you discover how to teach yourself and grow as a writer for a long time after your work together. A writing coach online can refer you to internet-based resources that can help you with the specific project or projects you have in mind. Whether you have grammar questions, or need to think through your story structure, the internet likely has free resources that can help.
The Importance of Outlines in Middle School English
One of the most frequent questions from those entering the sometimes-stressful years of middle school is what English teachers expect from their students. A qualified middle school writing tutor from the Gilliam Writers Group can help put your fears to rest, but first, a few pointers to get your recent middle schooler on the right track.
Want great writing advice? Ask a playwright
Dialogue is the bread and butter of the play. As a writing coach with Gilliam Writers Group, I’m one of several writing coaches with a background in dramatic writing. So if you need some tips on dialogue for your own novel or short story, here are a few from the theater world, where no one stops talking.
Want great writing advice? Ask a translator
Whether you’re writing an essay for school, revising a chapter in your novel, or composing a sensitive email to coworkers, translating the words in your head into writing can be a frustrating process. A literary translator knows this feeling well, and moreover, accepts it as a natural part of the work of writing. With advanced degrees in diverse topics, including translation, writing coaches at Gilliam Writers Group can offer unique and surprising insight into what makes great writing.
Pitching Nonfiction to Magazines as a New Writer
A writing coach can help new authors by advising them on how to pitch a story idea to a magazine. At Gilliam Writers Group, our writing coaches have written for top publications and can offer expert advice on any potential pitch. When approaching a magazine, a subtle shift in mindset can help.
Narrative Shape
The most basic work of a writing coach is helping their client find their novel’s shape. Although narrative, or plot, has taken many different shapes, one in particular recurs again and again. This is the triangle, the pyramid, the arc: the three-act structure.
Reading Recommendation: Briar Rose, by Robert Coover
Robert Coover’s Briar Rose (1997) is a short but dense little fiction that plumbs the depths of the Sleeping Beauty legend, foregrounding the age-old patterns at the heart of its many variations.
Reading Recommendation: The Changeling Sea, by Patricia McKillip
Like many of McKillip’s best works, The Changeling Sea (1988) reads like a fable. It has the simple, classic feel of a story that’s been told a million times, repeated around fires and at bedtimes until all its edges have been rounded out and its contours are so familiar you think you might have dreamed them up yourself.
A Time of Change: The Future of Our Business
The Gilliam Writers Group isn't going to become a standard tutoring or coaching company, nor will it become another vast "umbrella platform" that impersonally connects clients with instructors while taking an unduly large cut of their earnings. Employment-wise, our objective is, in fact, very personal: we want to fortify the skills, influence, and financial independence of young writers of unusual talent -- the kind of talent that has little to do with resumes.
Reading Recommendation: Ransom, by David Malouf
Ransom tells the story of Achilles: beloved hero of the Trojan War, bereaved of his companion Patroclus. But this isn’t the conventional tale of Achilles’ rise to fame, or even of his triumphs in battle. Instead, it’s an account of his reckoning with the loss of his soulmate, who dies on the field as a by-blow of our hero’s own pride.
The Sentence: A Lesson in Composition
Each sentence is like a little box into which a writer’s chosen words are piled. How the box looks from the outside, regardless of the words it contains, is very important. Some boxes are brightly colored. Some are small and plain. Some are meant to stack neatly on top of one another. Although opening the box — being able to read the words and absorb their meaning — is thrilling, we wouldn’t experience such a thrill without the careful construction of the box itself.
Reading Recommendation: The Vorrh, by Brian Catling
The Vorrh is admittedly a lot to handle. It’s also an absolutely brilliant work of art. Brian Catling’s pan-medium creative background shines through to stunning effect in every inch of his prose; his style in this novel is immediate, tactile, shamelessly sprawling and descriptive.
World-Building Through Narrator and Voice: Advice on Creative Nonfiction
My first piece of advice: You, the writer, decide who is telling the story, and how much information they, as the storyteller, are supposed to know and expose.
On Tutors and Homework: The Case for Reading for Pleasure
Reading begins to feel like a trap for children whose parents confuse quantity with quality when it comes to learning; these over-stressed minds learn only that for every page they enjoy, there is a price to be paid in boring, extraneous work.
What It’s Like to Work With a Writing Coach
At some point during our first consultation call, every prospective coaching client asks me the same question. It goes something like: “What is it like to work with a personal writing coach?” or “Can you explain more about your methods?” or “How does a writing coach help you write?” Understandably, most writers, or aspiring writers, who contact me want to know exactly what a coach can do for them.
On End-of-Semester Paralysis
I’ve worked with dozens of college students who have finished a semester without finishing their final assignments, and who are now working desperately against looming extension deadlines to preserve their grades (and their mental health). Although it’s stigmatized and rarely talked about in academia, end-of-semester paralysis is a troublingly common affliction in today’s universities.
Conventional Education and the Creativity Crisis
Since the dot com boom and the entrance of millennials into the workplace, creativity seems to have become an increasingly valued asset in the US economy. But for some reason, Americans’ divergent thinking scores have been declining since the time of the internet’s appearance.
Passive vs. Active Learning
When did you last hear of a teacher inviting students to speak up when they’re bored, or when a lesson isn’t engaging them? Our standard educational model does not encourage learners to honor their own desire to learn. In fact, it trains them to suppress this desire when it goes unfulfilled, in order to avoid disrupting the flow of the lesson.
What Do Students Owe?
Young people gain less and less in exchange for attending school – specifically in terms of intellectual competency and employment prospects – yet education today is more time-consuming and future-determining than ever. In the US, upward mobility is declining and the quality of public education is poor. Students and their families compensate by working harder, paying more (for tutors and name-brand schools), and participating in more extracurriculars.